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Click the upload button or drag and drop your TIFF file.
Click Convert. Convertify processes your file with Rust and libvips.
Download your converted JPG. Files are deleted from the server immediately.
Universal format for photos. Supported everywhere, great balance between quality and file size.
Professional lossless format used in printing and photography.
Apple photo format used by iPhone and iPad. High quality with small file size.
High Efficiency Image Format โ same as HEIC, used on Apple devices.
Modern image format by Google. Up to 30% smaller than JPG with the same quality.
Lossless format that preserves every pixel. Best for screenshots and logos.
Classic format for simple animations. Supports transparency and up to 256 colors.
Uncompressed bitmap format. Maximum quality but very large file size.
Next-gen format with excellent compression. Up to 50% smaller than JPG.
Portable Pixmap format used in Unix/Linux environments.
High Dynamic Range format storing extended brightness data.
Flexible Image Transport System used in astronomy and science.
Portable Document Format. Convert PDF pages to JPG, PNG or WebP images.
Quick comparison to help you choose the right format
TIFF is a professional archiving and editing format: lossless, high color depth, and widely compatible with professional tools. But its file sizes are impractical for sharing, emailing, uploading, or web publishing. A 24-megapixel TIFF can be 36-144 MB, while a JPG of the same photo is typically 4-10 MB at high quality. JPG has universal support on every device, browser, email client, social platform, and image application in existence. Converting TIFF to JPG is the final step in most professional photography workflows: edit and archive in TIFF, export to JPG for delivery.
| Feature | TIFF | JPG |
|---|---|---|
| Compression | Lossless (LZW/ZIP) or none | Lossy (DCT) |
| Typical file size (24MP) | 36-144 MB | 4-10 MB at quality 85 |
| File size reduction | Baseline | 90-95% smaller |
| Browser support | None | Universal |
| Color depth | 8, 16, 32-bit float | 8-bit per channel only |
| Transparency | Supported | Not supported |
| Re-save quality loss | None (lossless) | Cumulative with each save |
| Best for | Editing, archiving, print | Sharing, web, email, universal use |
JPG achieves its compression through the DCT (Discrete Cosine Transform), a frequency-domain transform that discards visual information the human eye is least sensitive to. As a rough guide, at quality 85 an 82 MB TIFF converts to roughly 7.6 MB JPG (about 91% reduction); at quality 95 the same image is closer to 18 MB (about 78% reduction); at quality 70, roughly 3.5 MB (about 96% reduction). For most web and sharing use, set the quality slider in the low 80s, where the difference from the original TIFF is imperceptible for most photographic content while files shrink dramatically. Set it higher, in the low 90s, for print or client delivery.
TIFF stores every pixel exactly. JPG divides the image into 8x8 pixel blocks and applies frequency-domain compression, discarding coefficients the eye is least sensitive to. At high quality, artifacts are imperceptible in photographs. At low quality, visible effects appear: block boundaries between 8x8 regions, ringing around sharp edges, color banding in smooth gradients, and loss of fine texture in fabric, hair, and foliage. The key professional principle: TIFF to JPG conversion is a one-way, destructive process. Export TIFF to JPG only as the final delivery step. Do not convert back to TIFF and continue editing, because the degradation is permanent and re-compresses with each subsequent JPG save.
Professional camera TIFFs exported from Lightroom or Capture One are typically 16-bit per channel: 65,536 tonal values versus JPG's 256. Converting a 16-bit TIFF to JPG permanently discards this extra depth. In practice this is acceptable for delivery, since standard monitors display 8-bit color and the eye cannot distinguish 16-bit from 8-bit depth in a finished photograph. The depth matters during editing, where 16-bit provides headroom for aggressive color correction without banding. Once editing is complete and the image is ready for delivery, the downsampling to 8-bit JPG is invisible.
The professional workflow is standardized: shoot RAW, develop in Lightroom, Capture One, or Photoshop, export as 16-bit TIFF, retouch in Photoshop, then export a final JPG. Each stage uses the right format for its purpose. TIFF is the master file, preserved indefinitely. JPG is the deliverable, sent to clients, uploaded to agencies, posted to portfolio sites, or submitted to stock libraries. Stock photo agencies such as Getty and Shutterstock accept TIFF for archival uploads but require JPG for standard submissions. Social platforms like Instagram, Facebook, and X re-compress all uploads to their own format, so the starting JPG quality matters less than the platform's file size limits.
TIFF supports transparency through an alpha channel. JPG does not support transparency, since it has no alpha channel. When converting a TIFF with transparency to JPG, the transparent areas are filled with a background color, typically white. If your TIFF contains transparency (logos, product cutouts, icons), convert to TIFF to PNG or WebP instead, since both support full transparency. JPG is only appropriate for fully opaque images.
Some TIFFs contain multiple images: scanned book pages, fax documents, or multi-exposure brackets. Converting a multi-page TIFF to JPG without specific handling produces only the first page, because most converters default to page 0 silently, and Convertify is no exception. If you need every page, use a tool with explicit export-all-pages functionality, or split the TIFF into separate frames first. On the platform side, WordPress.com and WordPress.org (without plugins) do not accept TIFF uploads, and Shopify, Drupal, and most CMS platforms similarly reject TIFF, which is why this conversion is often the first step before web publishing. Smartphones cannot save TIFF natively either. A separate note on color: TIFFs with embedded Adobe RGB or ProPhoto profiles ideally should be converted to sRGB before web delivery, otherwise they can look correct in color-managed apps but desaturated in browsers that ignore profiles. Convertify does not perform this color conversion for you, so handle it in an editor if color accuracy on the web matters. For files that need transparency or lossless output after CMS upload, TIFF to PNG preserves every pixel and the full alpha channel.
Some TIFFs are internally JPEG-compressed, with a JPEG bitstream stored inside the TIFF container. Re-encoding an already JPEG-compressed TIFF into a new JPG stacks two lossy cycles and can amplify artifacts. Setting the quality slider high limits this, but it cannot remove artifacts that are already baked into a JPEG-compressed source. Separately, TIFFs from professional photography are often 16-bit per channel, 65,536 tonal values versus JPG's 256. Reducing to 8-bit during JPG conversion can cause banding in smooth gradients such as skies and skin tones, most visibly when a 16-bit file has had aggressive shadow or highlight editing. Setting a high quality level (around 92-95) on the slider reduces compounding losses, but the 8-bit ceiling of JPG is inherent to the format. When the destination is the Apple ecosystem rather than a web CMS, TIFF to HEIC produces files roughly 50% smaller than JPG at equivalent quality.
Convertify uses a Rust backend with libvips for TIFF to JPG conversion. libvips processes files through a streaming pipeline, which matters for large TIFFs. The converter uses a high quality JPG setting by default to minimize visible artifacts, and a quality slider lets you tune the size and quality trade-off. Metadata is kept by default, so an embedded ICC profile and EXIF data are carried into the JPG. Convertify does not, however, perform managed CMYK to sRGB conversion, so for color-critical CMYK work convert to sRGB in an editor before uploading. Files are processed server-side over HTTPS and deleted immediately after download. No account required.
TIFF, the Tagged Image File Format, was created by Stephen Carlsen at Aldus Corporation, with its first public release in 1986, developed with Microsoft to give early desktop-publishing scanners a common file format. Revision 4.0 in 1987 added uncompressed RGB, Revision 5.0 in 1988 added palette color and LZW, and TIFF 6.0, finalized in 1992, split the format into a Baseline part for maximum compatibility and an Extensions part for advanced features. Adobe acquired Aldus in 1994 and still administers the specification. That long, stable history is why so many professional and archival systems store images as TIFF in the first place, and why converting those TIFFs to JPG is usually the final step for sharing them on the web or by email, where TIFF is not supported.